“Grafikart” gallery opens the new art season with “GRAPHICS” by Zahari Kamenov

The new one art season in the capital’s “Grafikart” gallery begins on October 27, 2022 the opening of the “Graphics” exhibition by Zahari Kamenov. To sink into the depths of your own life and to express yourself on different visual means is a way of life, it is not just discipline and work. To merge work with pleasure is not just a dream, but a way to separate a part of yourself and yes you pour it into your works… Zahari Kamenov is an artist who works with different techniques in art, but painting remains at the core of his soul. They say that it is difficult for a painter to become a graphic artist, but Zahari Kamenov refutes this thesis and proves it unequivocally, that the artist’s talent is manifested in various directions. The graphics his works are so exquisite that you feel they will come to life.

His exhibition “Grafika” will be organized in “Grafikart” gallery from tomorrow, 27 October to the end of November 2022. In his new exhibition, Zahari Kamenov will show how, through the means of expression of the graph, can be described its relation to Japan or to arrange poems by Boris Hristov. The author’s works, which will be exhibited in the gallery are from the cycles dedicated to Japan, cycle “Clay, words and graphics” based on the poems of Boris Hristov, as well as fragmentary ones works – small fragments taken out of the context of his lithographs, printed in the period 1981-1984.   “In the early 1980s when printing the one of my lithographs, the lithographic stone broke, and this incident provoked me to thinks about the “fragment”. In my later graphics – intaglio, to be exact “fragment” became a fundamental stylistic concept”, says Zahari Kamenov and adds, that change, an artistic play which is always the result of the idea, history and to a great extent by concentrated suggestion of the project for the whole. For the work of Zahari Kamenov, the concept of “fragment” is independent of stylistic ones picked up over the years, and “white” becomes an active moment in the graphic sheet, as part of building the entire aesthetic space.